EVERYONE HAS STORIES ABOUT THEIR LIFE. THIS WORKSHOP WILL GIVE YOU THE IMPETUS YOU’VE ALWAYS NEEDED TO START TELLING YOURS.
Getting started is often the hardest part of writing about your life, especially if you’re not sure how or where to begin.
In this workshop, you’ll not only write the first sentence of what will become your ongoing life history, you’ll be able to use a proven framework for deciding what to write about, where to start and how to go on. Even if you’ve never strung sentences together since your schooldays!
This workshop is aimed primarily at beginners, but you’re also welcome if you’ve already taken early steps with your memoirs but need some direction to keep going. Do this for yourself, and your family.
For more information and to register, click the link here.
Drawing on selected images from across the world, in this personal presentation Brisbane-based author D R (Darryl) Dymock compares the spectacular but very different life journeys and tragic endings of two remarkable Australian aviation pioneers: Harry Hawker and Bert Hinkler.
Saturday 18 June2pm -3pm, St Matthews Church Hall,
cnr Sherwood & Oxley Rds Sherwood, Brisbane, Queensland, Australia
Exclusive extract from ‘A Great and Restless Spirit’ by D R Dymock:
Unaware of the mid-ocean drama, Muriel continued to mark off the hours Harry had been in the air. As the day went on, she began to prepare to head over to Brooklands, hopeful she would soon be reunited with her husband. There was quiet anticipation among the Sopwith representatives, military officers, and government and aero club officials gathered at Brooklands that Monday afternoon, 19 May, 1919. It promised to be a momentous occasion for the future of cross-Atlantic travel and for British aviation.
Muriel and her brother, RAF Captain Laurence Peaty, had driven over from Hook in the Sunbeam. Word had come through that the American fliers were trapped in the Azores by the weather, so NC-4 had not yet been able to make the final hop. There was still a possibility that Harry and Grieve could claim the transatlantic gong.
Nevertheless there was also an undercurrent of anxiety about the two fliers. No messages had been received; no sightings reported. Based on the reported Sunday departure time from Newfoundland, by Muriel’s 22-hour timeline the Atlantic should touch down at Brooklands at around 4.30pm. Unlike some others, she wasn’t worried by the lack of contact with the plane because she knew Harry and Grieve weren’t counting on the wireless during the flight.
But as the afternoon ticked by, concern started to grow. The Royal Air Force sent planes out from its Aldergrove base in Ireland to probe along the transatlantic route, but the pilots came back with nothing to report.
When Muriel crossed off hour number 22, and there was still no sign of the plane, the tension among the waiting group must have been palpable. They all knew that by then the Sopwith’s fuel tank would be close to empty. When a full 24 hours had passed without any contact, no one had to say what that meant.
Title:A Great and Restless Spirit: The incredible true story of Harry Hawker, Australian test pilot, aircraft designer, car racing driver, speedboat racer, world-beater
High-profile mystery plane crashes have confounded and intrigued the world since flight began – but this dramatic true story was the first.
A Great And Restless Spirit by D R Dymock tells of the disappearance of record-breaking Australian pilot Harry Hawker and his navigator over the Atlantic Ocean in 1919… and of how kings and nations were captivated by the event. The book has just been released.
A transatlantic feat
In May 1919, 30-year-old Harry Hawker and his navigator attempted the first transatlantic flight, from Newfoundland to Ireland, and in a plane with no radio or radar.
Millions waited for news of their triumph – but the plane never arrived. After six days, and with no sightings or leads, almost everyone gave them up for dead. Banjo Paterson wrote a eulogy for Harry’s passing. King George V sent Harry’s English wife, Muriel Hawker, a telegram of condolence. But Muriel refused to believe her husband was dead.
If things don’t go quite right, never give up hope, Harry had told Muriel before he left. She took him at his word.
‘As there seemed to be two sides to the question whether he was alive or not, and no definite proof of either,’ Muriel said, ‘I decided I’d cling firmly to the belief that he was alive.’
An extraordinary life
Muriel Hawker’s faith in her daredevil husband had reaped rewards before. Harry’s ‘need for speed’ made him a fierce competitor in car and speedboat races around the globe and, when he wasn’t racing, Harry designed and tested WWI planes.
His boss, aviation guru Tommy Sopwith, believed Harry was a genius – but Muriel kept her husband’s feet firmly on the ground. Would this remarkable woman’s hope be rewarded this time, too?
In A Great and Restless Spirit, author D R Dymock tells the incredible true story of Harry Hawker MBE AFC and the woman who refused to give up on him.
About the author: D R (Darryl) Dymock (author site) is the Brisbane-based author of several well-received non-fiction books, including Hustling Hinkler and The Chalkies. This is his second aviation biography. He is a mentor with the Queensland Writers Centre, and an Adjunct Senior Research Fellow at Griffith University.
Here’s A Great and Restless Spirit in good company for March events at Avid Reader Bookshop, West End, Brisbane.
A Great and Restless Spirit will be launched at Avid Reader at 6.30pm AEST on Friday 25th March, 2022. And you’re invited! In person, or online.
All you have to do is click on this link to register for the launch. You can also pre-order the book (ISBN 9781925380415. Armour Books)
Here’s an extract from A Great and Restless Spirit to whet your reading appetite:
Outside, the weather matched their mood as they set off—sombre, dark and cold. The wind was whipping the trees around their house, and the rain danced in the headlights as they headed to Euston Station. For some reason, despite the almost cyclonic conditions, Harry opted to take the Sunbeam.
The big car might well have had a neatly riveted bonnet, but it also had no hood over the passenger compartment. So, as they roared through deserted London streets in drenching rain slashed by an occasional knife edge of sleet, Harry crouched behind the whisper of a windscreen.
Muriel hunched in the well on the passenger side, her head resting against her husband’s knee. She quietly wished that she’d married someone without ambition, like a farmer’s son. Someone who didn’t feel the need to go where no man had ever gone before. If only I could sleep away the time ahead, she thought.
When they reached Euston station, they had one final hug, said one final goodbye. As Harry disappeared into the carriage, Muriel was inconsolable. She couldn’t wait for the train to pull out.
Heading disconsolately back to the car, all she could think was that Harry had gone from her. The only thing she could do was wait for the future to unfold itself.
If you’re free and in the vicinity, I’d love to see you at the Brisbane launch of my new book on Friday evening, 25 March, 2022. (Covid permitting!).
The book is called A Great and Restless Spirit: The incredible true story of Australian Harry Hawker – test pilot, aircraft designer, racing car driver, speedboat racer, world-beater.
It will be published by an independent Brisbane publisher, Armour Books.
If Victorian-born Harry Hawker MBE AFC (1889-1921) was alive today, he’d be churning desert dust in the Dakar rally, strapped in a rocket on a SpaceX flight, or taking pole position on the Formula 1 start line.
Hawker moved to England at age 22, and in his day flew faster, higher and for longer than anyone else in Britain. His one need was speed. And if he couldn’t find it in the air, he was a fierce competitor in racing cars and international speedboat races.
When he wasn’t racing, Hawker was designing and testing WWI planes. His boss, aviation guru Tommy Sopwith, was convinced the Australian was a genius.
In the book you’ll also meet Harry’s remarkable wife, Muriel, who mostly kept his feet on the ground. But even she worried about his need to go where no man had ever gone before.
And in the background there bubbled away an underlying weakness that would eventually contribute to Harry Hawker’s death in a flaming solo plane crash. He was just 32 years of age.
I hope you might be able to join me for the launch of A Great and Restless Spirit at Avid Reader Bookshop, West End, Brisbane at 6.30pm on 25 March. It should be a good occasion, and there’s no obligation to buy😊.
Please put the date in your diary. You’ll be able to register nearer the time on the Avid Reader website: avidreader.com.au
And if you’re not from Brisbane, please keep watch for the book’s publication. I hope it will be available in both print and electronic form.
Please feel free to pass this message on, or to post it on social media. All welcome.
We had a great launch of the Oxley Men’s Shed anthology, Offcuts: Stories from the Shed, on Saturday 27 November in Brisbane. Nine men from the Shed contributed to the collection, and the first (modest) print run sold out! 70 to 80 people turned up to hear a brilliant launch by local Councillor Nicole Johnston, listen to music from the band Crossed Fingers, and enjoy a scrumptious morning tea.
This is no ordinary collection of stories. It draws on the varied experiences of nine men who have led very different lives, but whose paths have eventually crossed at Oxley Men’s Shed. In this book these mostly first-time writers have taken the opportunity to share some of their fascinating stories from the past with their families and with the wider community. Many of these are never-before-told tales, entertaining anecdotes that not only illuminate the writers’ earlier lives, but often trigger our own memories too.
In these stories we meet a former fitter and turner who as a boy decided to see what would happen when he packed gunpowder from leftover fireworks into a fruit tin and lit the fuse; a retired meat inspector who had to escape hand over hand down a rope off a high church roof when his ladder collapsed; an ex-plumber who starred in a Bollywood movie and dodged bombs and bullets while driving a tour bus in the Middle East; a former photographer who once had the ultimate hand in a boarding house poker game; and a retired insurance underwriter who relives his late-night dash home to dive under the bedclothes before the resident ghost appeared.
Then there’s a Vietnamese veteran driving an Army forklift who literally backed himself into an embarrassing corner with his commanding officer; an ex-teacher who was driving his prized first car through South Brisbane when the back seat caught fire; a former electrician who turned jackaroo to help out his mate on a cattle drive in northern NSW; and a retired agronomist who as a young man led a hiking group down a mountain during a cyclone, with intriguing romantic results.
This is a heady mix of yarns from a group of writers keen to tell their often remarkable stories – sometimes humorous, occasionally hair-raising, but always from the heart.
Offcuts: Stories from the Shed, Armour Books, Brisbane.
Author, editor and journalist Gary Kamiya said an editor is responsible for making a piece of writing ‘more like a Stradivarius and less like a woodchip’. He intriguingly suggested that the primary responsibility of an editor is not to the writer but to the reader.
Karen Lee, CEO of the Institute of Professional Editors Limited (IPEd) sent me Kamiya’s short piece on editing when I first made contact with her about contributing to a guest blog series for Margaret River Press in August 2020.
So as part of that series I was interested to follow this up with Karen, and explore with her the purpose of IPEd and the role of editors in the writing process.
This is an edited version of a recent Zoom interview with Karen. The short video clip below will serve to introduce her and give you some idea of her passion for what editors do.
I asked Karen how IPEd had come about. If I wasan editor, I said, why would I want to join IPEd?
Karen said that the majority of IPEd’s members are freelancers, sole traders, mostly working independently from home, and therefore potentially professionally isolated. She said the association came about when a number of smaller societies came together because they saw the need to network, to talk about professional standards and to consider professional development. Last year the Australian-based IPEd extended its reach to New Zealand, and is also seeking to better serve those working in-house in business and government.
Editors join IPEd for reasons similar to those of authors who join writing workshops and go to writers’ festivals, Karen said – to improve and hone their skills, and also to network, to get to know other writers. IPEd provides an opportunity for editors to get to know each other, she said, to form some connections. And sometimes there’s an additional spin-off – new business.
As a result of the various constraints and working-from-home requirements over the past few months, many organisations have moved to a new reliance on technology to keep staff in touch. It seems IPEd was already ahead of the game, as Karen explains in the video clip here:
While IPEd’s use of technology and its paperless office have helped the organisation cope smoothly with recent external changes, I asked Karen how members were faring under the Covid-19 slowdown. After all, editors, particularly freelancers, normally have a bit of ebb and flow in their work because they’re reliant on writers who also have ebb and flow. How had it been for them in recent times?
Karen said that they had undertaken a survey early in the closedown period, and from more than 200 responses, about half said it was too early to tell if there would be any effect on their business, and about the same number were already experiencing some downturn, with advance bookings dropping and workflows slowing. ‘But we’ve heard of some others,’ she said, ‘who say they’re going gangbusters.’ It seems that some authors were dusting off their manuscripts now that they had time to work on them again. At the time of this interview, Karen said IPEd planned to regularly monitor how members were going.
I also asked Karen about the impact the pandemic might have on IPEd’s future operations. You can see her reply here:
In reply to my question about how a writer might find an editor that’s just right for them, Karen assured me that the Editors Directory on the IPEd website is the way to go.
The next question a writer might of course ask is how much is having a manuscript edited likely to cost. It seems that there is no standard fee, and that IPEd members may use different criteria for a quote, as Karen explains in this video clip:
A major question for writers is, of course, whatever the basis for the fee, is it worth paying an editor to edit your manuscript. Is there likely to be sufficient value added to justify the cost and effort? Should we expect a Stradivarius? Karen Lee said that if you want to really incense an editor, suggest to them that what they do is ‘just proofreading’.
As a professional association, IPEd has to look inwards to serve the needs of its members. But at the same time, it extends its influence outwards into the community of writers through the activities of those members.
I asked Karen Lee the rather large question of what contribution she thinks the body of editors as a whole makes to the publication process. You can see her response here:
In that video clip, Karen Lee mentions that she is also a writer. I finished the interview by asking her whether she has a favourite author.
Karen said that of the authors she admires and who inspire her, Amy Tan is right at the top of her list. Also, recently she’d been introduced to the writing of Elif Shafak, a Turkish author who writes about religion in Turkey and the status of women in that country. Karen said that Elif Shafak’s writing reminded her of that of Isabel Allende, in that she writes very lyrically and very passionately, but also that she writes about issues that pick up on her country’s political nuances .
Another favourite is Yangsze Choo, a Malaysian author in America. ‘It was such a delight to read stories that were based in Malaysia with Malaysian-Chinese culture,’ Karen said, ‘and that had been well received at an international level.’
You will have seen even from her responses in this blog that Karen Lee is passionate about the role of editors and the purpose of IPEd.
In the short piece she sent me from Gary Kamiya, he admonished editors to ‘make it light and tight and strong so that it sings’. Writers and publishers alike would be glad to hear such a song.
Still to come
In the final blog for the Margaret River Press series, each of the three people I’ve interviewed adds another fascinating dimension to the writing and publishing process.